"The colour of a Moroccan souk at the hour when the sun takes no prisoners."
The Marrakech Gold was drawn from the hand-painted tilework and woven textiles of North Africa — the diamond medallion that anchors a surface, the paisley that moves through the negative space between, the geometry that repeats with enough variation to stay alive.
We pulled the palette toward saffron and fuchsia — the colours of a Moroccan souk at midday, when the sun is directly overhead and everything it touches becomes more saturated than it has any right to be. The kind of colour that doesn't ask for attention. It simply has it.
The scarf format was deliberate from the start. A textile designed to travel, to be folded and unfolded, to look different depending on how the light falls on it. We made it into a pant because that is exactly how it should move.
Pairs beautifully with
Hand-curated by our stylist — three pieces that complete the look.
From women who wear her.
"It actually felt like the photos."
Wore it to a friend's vow renewal in Tulum and three people stopped me on the way to dinner. The cotton-rayon blend is so much softer than I expected.
"Worth every dollar."
I almost never buy dresses online because of fit. The size guide here is the best I've seen — measured my chest, hips, and length, took the L, perfect.
"Stunning — but size up if between."
Print and fabric are gorgeous. Bodice runs slightly snug — I'm usually between an XS and S, took the XS, the shoulder ties helped but I'd recommend the S if you're between sizes.
