"The pattern carved into old walls — and the top that carries it into an afternoon that needs no further explanation."
The Stone Garden was drawn from the plasterwork in an Andalusian courtyard — the interlocking arabesque forms that fill entire walls in two tones, repeated with the precision of something made slowly by hand over a long period of time.
We drew this print in sage and bone because that is the colour the stone actually is. Not the colour of a mood board — the colour of an old wall in warm shade, when the light is coming from the side and the surface has had centuries to develop its particular depth. The bone came from the mortar between the carved sections: the space that makes the pattern readable.
The arabesque form has been repeated on walls, tiles, and textiles across centuries and continents because it solves a specific visual problem: how to fill a surface completely without making it feel crowded. We wanted the same thing on fabric. One print, two tones, no noise.
Pairs beautifully with
Hand-curated by our stylist — three pieces that complete the look.
From women who wear her.
"It actually felt like the photos."
Wore it to a friend's vow renewal in Tulum and three people stopped me on the way to dinner. The cotton-rayon blend is so much softer than I expected.
"Worth every dollar."
I almost never buy dresses online because of fit. The size guide here is the best I've seen — measured my chest, hips, and length, took the L, perfect.
"Stunning — but size up if between."
Print and fabric are gorgeous. Bodice runs slightly snug — I'm usually between an XS and S, took the XS, the shoulder ties helped but I'd recommend the S if you're between sizes.
